DADES IDENTIFICATIVES 2012_13
Assignatura (*) ARTS Codi 12715206
Ensenyament
Ciències Socials del Desenvolupam:Cultures i Desenvolupam. a Àfrica (2010)
Cicle 2n
Descriptors Crèd. Tipus Curs Període
6 Optativa Únic anual
Llengua d'impartició
Català
Departament Història i Història de l'Art
Coordinador/a
SÁNCHEZ CERVELLÓ, JOSEP
Adreça electrònica josep.sanchez@urv.cat
Professors/es
SÁNCHEZ CERVELLÓ, JOSEP
Web
Descripció general i informació rellevant Arte africano.prof. Alberto López Bargados. UB.
Com a conseqüència de l'extinció del pla d'estudi que estàs cursant, en aquesta assignatura només tindràs dret a examen. Per conèixer la data de realització de l'examen consulta a l'apartat d'horaris de les assignatures. En cas d'haver de sol·licitar convocatòria extraordinària recorda que per poder matricular aquest dret d'examen hauràs de presentar una sol·licitud a la secretaria del teu Campus/Centre.

Continguts
Tema Subtema
Arte africano tradicional
Arte africano contemporáneo

Atenció personalitzada
Descripció
Atención al alumno a través del moodle.

Avaluació
 
Altres comentaris i segona convocatòria

la evaluación de la asignatura se realiza mediante la entrega de trabajos determiandos por el profesosr.


Fonts d'informació
Bàsica

BASCOM, William (1973): African Art in Cultural Perspective. An Introduction, W. W. Norton & Co. Inc., New York.

University Press, Manchester.

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HIMMELHEBER, Hans (1960): Les Masques Africaines, Presses Universitaires de France, París.

HOOPER, J. T. y BURLAND, C. A. (1953): The Art of Primitive Peoples, The Fountain Press, Londres.

LEIRIS, Michel y DELANGE, Jacqueline (1968): African Art, Thames and Hudson, Londres.

Otten, Charlotte M. (1971): Anthropology & Art. Readings in Cross-Cultural Aesthetics, University of Texas Press, Austin; pp. 93-105.

OCAMPO, Estela (1985): Apolo y la Máscara. La Estética Occidental frente a las Prácticas Artísticas de otras Culturas, Icària, Barcelona.

PAULME, Denise (1956): Les Sculptures de l’Afrique Noire, Presses Universitaires de France, París.

PAULME, Denise (1962): L’Art Sculptural Nègre, París.

PERROIS, Louis (1990): “Anthropologie et histoire des arts africains”, en De l’Art Nègre à l’Art Africain. 1er Colloque Européen sur les Arts d’Afrique Noire, Musée National des Arts Africains et Océaniens, París; pp. 70-77.

VANSINA, Jean (1999): Art History in Africa: An Introduction to Method, Longman, Londres.

VISONÀ, Monica B., POYNOR, Robin, COLE, Herbert M. y HARRIS, D. (2000): A History of Art in Africa, Thames and Hudson, Londres.

ERRINGTON, Shelly (1998): The Death of Authentic Primitive Art and Other Tales of Progress, University of California Press, Berkeley.

FRASER, Douglas F. (1974): African Art as Philosophy, Interbook Inc., New York.

GILLON, Werner (1989): Breve Historia del Arte Africano, Alianza ed., Madrid.

GROSSE, Ernst (1900): The Beginnings of Art, D. Appleton and Co., New York.

LAYTON, Robert (1991): The Anthropology of Art, Cambridge University Press, Cambridge.

PRICE, Sally (1989): Primitive Art in Civilized Places, Chicago University Press, Chicago.

ABIODUN, Rowland, DREWAL, Henry J. and PEMBERTON, John, III (1991): Yoruba. Art and Aesthetics, The Center for African Art and the Rietberg Museum, Zurich.

COOTE, Jeremy y SHELTON, Anthony (eds.) (1992): Anthropology, Art and Aesthetics, Claredon Press, Oxford.

McNAUGHTON, Patrick R. (1988): The Mande Blacksmiths. Knowledge, Power and Art in West Africa, Indiana University Press, Bloomington.

PRESTON BLIER, Suzanne (1995): African Vodun. Art, Psychology, and Power, The University of Chicago Press, Chicago.

SOMÉ, Roger (1998): Art Africain et Esthétique Occidentale. La Statuaire Lobi et Dagara au Burkina Faso, L’Harmattan, París.

SYLLA, Abdou (1988): Création et Imitation dans l’Art Africain, Institut Fondamentale d’Afrique Noire, Dakar.

THOMPSON, Robert Farris (1974): African Art in Motion. Icon and Art, University of California Press, Berkeley.

THOMPSON, Robert Farris (1993): Face of the Gods: Art and Altars of Africa and the African Americas, The Museum for African Art, New York.

DE MOTT, Barbara (1979): Dogon Masks. A Structural Study of Form and Meaning, Umi Research Press, Michigan.

DE MOTT, Barbara (1993): “Form and meaning in Dogon art”, en Richard L. Anderson and Karen L. Field (eds.), Art in Small Scale Societies. Contemporary Readings, Prentice Hall, Englewood Cliffs; pp. 131-149.

DOQUET, Anne (1999a): Les Masques Dogon. Ethnologie Savante et Ethnologie Autochtone, Karthala, París.

GRIAULE, Marcel (1983): Masques Dogons, Institut d’Ethnologie, París.

GRIAULE, Marcel (1951): “Les symboles des arts africains”, en Présence Africaine, vol. especial; pp. 25-34.

HACKETT, Rosalind I. J. (1996): Art and Religion in Africa, Cassell, Londres.

RATTRAY, Robert S. (1959): Religion & Art in Ashanti, Oxford University Press, Londres.

COLE, Herbert M. (1990): Icons. Ideals and Power in the Art of Africa, National Museum of African Art, Smithsonian Institution Press, Washington.

FORGE, Anthony (1973): Primitive Art & Society, Oxford University Press, Londres.

ARNOLDI, Mary J. (1995): Playing with Time: Art and Performance in Central Mali, Indiana University Press, Bloomington.

ARNOLDI, Mary Jo, GEARY, Christaud M. and HARDIN, Kris L. Hardin (eds.) (1996): African Material Culture, Indiana University Press, Bloomington.

DREWAL, Henry J. (1980): African Artistry: Technique and Aesthetics in Yoruba Sculpture, High Museum of Art, Atlanta.

DREWAL, Henry J. (1990a): Gelede: Art and Female Power among the Yoruba, Indiana University Press, Bloomington.

HARDIN, Kris L. (1993): The Aesthetics of Action: Change and Continuity in a West African Town, Smithsonian Institution Press, Washington.

HARDING, Frances (ed.) (2002): The Performance Arts in Africa. A Reader, Routledge, Londres.

HORTON, Robin (1960): The Gods as Guests. An Aspect of Kalabari Religious Life, Federal Government Printer, Lagos.

HORTON, Robin (1965): Kalabari Sculpture, Dept. of Antiquities of the Federal Republic of Nigeria, Apapa.

LAWAL, Babatunde  (1996): The Gèlèdè Spectacle. Art, Gender, and Social Harmony in an African Culture, University of Washington Press, Seattle.

LEIRIS, Michel (1966): “Le sentiment esthétique chez les Noirs africains”, en Fonction et Signification de l’Art Nègre dans la Vie du Peuple et pour le Peuple, 1º Festival Mondial des Arts Nègres, Dakar; pp. 331-346.

NAPIER, A. David (1992): Foreign Bodies. Performance, Art, and Symbolic Anthropology, University of California Press, Berkeley.

FRASER, Douglas F. & COLE, Herbert M. (eds.) (1972): African Art & Leadership, The University of Wisconsin Press, Milwaukee.

GELL, Alfred (1998): Art and Agency. An Anthropological Theory, Claredon Press, Oxford.

GELL, Alfred (1999): The Art of Anthropology. Essays and Diagrams, Athlone Press, Londres.

BRAVMANN, René A. (1974): Islam and Tribal Art in West Africa, Cambridge University Press, Cambridge.

BRAVMANN, René A. (1975): “Masking tradition and figurative art among the islamized Mande”, en Daniel F. McCall y Edna G Bay (eds.), African Images: Essays in African Iconology, Africana Publishing Co., New York; pp. 144-169.

BRAVMANN, René A. (1979): “Gur and Manding masquerades in Ghana”, en African Arts, vol. XIII (1); pp. 44-51.

GLAZE, Anita J. (1981): Art and Death in a Senufo Village, Indiana University Press, Bloomington.

GOLDWATER, Robert L. (1960): Bambara Sculpture from the Western Sudan, Museum of Primitive Art, New York.

GOLDWATER, Robert L. (1964): Senufo Sculpture from West Africa, The Museum of Primitive Art, New York.

FABIAN, Johannes (1996): Remembering the Present. Painting and Popular History in Zaire, University of California Press, Berkeley.

GAUDIBERT, Pierre (1991): L’Art Africain Contemporain, Cercle d’Art, París.

GRABURN, Nelson H. H. (1976): “Introduction: arts of the Fourth World”, en Nelson H. H. Graburn (ed.), Ethnic and Tourist Arts, University of California Press, Berkeley; pp. 39-55.

GRABURN, Nelson H. H. (1978): “«I like things to look more different than that stuff did»: an experiment in cross-cultural art appreciation”, en M. Greenhalgh y V. Megaw (eds.), Art in Society. Studies in Style, Culture, and Aesthetics, Duckworth, Londres; pp. 51-70.

GRABURN, Nelson H. H. (1999): “Ethnic and tourist arts revisited”, en Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture. Art and Commodity in Colonial and Postcolonial Worlds, University of California Press, Berkeley; pp. 335-353.

HART, Lynn M. (1995): “Three walls: regional aesthetics and the international art world”, en George E. Marcus y Fred R. Myers (eds.), The Traffic in Culture. Refiguring Art and Anthropology, University of California Press, Londres; pp. 127-150.

JULES-ROSSETTE, B. (1984): The Messages of Tourist Art: An African Semiotic System in Comparative Perspective, Plenum, New York.

KASFIR, Sidney L. (1999a): Contemporary African Art, Thames and Hudson, Londres.

STEINER, Christopher B. (1994): African Art in Transit, Cambridge University Press, Cambridge.

STEINER, Christopher B.  (1994): “The art of trade: on the creation of value and authenticity in the African art matket”, en George E. Marcus y Fred R. Myers (eds.), The Traffic in Culture. Refiguring Art and Anthropology, University of California Press, Londres; pp. 151-165.

STEINER, Christopher B. (1999): “Authenticity, repetition, and the aesthetics of seriality: the work of tourist art in the age of mechanical reproduction”, en Ruth B. Phillips and Christopher B. Steiner (eds.), Unpacking Culture. Art and Commodity in Colonial and Postcolonial Worlds, University of California Press, Berkeley; pp. 87-103.

Complementària

(*)La Guia docent és el document on es visualitza la proposta acadèmica de la URV. Aquest document és públic i no es pot modificar, llevat de casos excepcionals revisats per l'òrgan competent/ o degudament revisats d'acord amb la normativa vigent