Type A
|
Code |
Competences Specific | | A5 |
Dominar la llengua anglesa des d’un punt de vista teòric i pràctic i expressar-s’hi oralment i per escrit de manera fluida i precisa. |
| A6 |
Analitzar les obres més rellevants de la literatura en llengua anglesa en els seus diversos entorns culturals. |
Type B
|
Code |
Competences Transversal | | CT3 |
Solve problems critically, creatively and innovatively in their field. |
| CT4 |
Work autonomously and as part of a team with responsibility and initiative. |
Type C
|
Code |
Competences Nuclear |
Type A
|
Code |
Learning outcomes |
| A5 |
Desenvolupa la capacitat d’expressió oral i/o escrita per a satisfer les necessitats que vagin més enllà de l’ús purament instrumental de la llengua anglesa a un nivell avançat.
| | A6 |
Coneix els aspectes principals de la narrativa en llengua anglesa.
Analitza i comenta textos literaris de forma oral i/o escrita.
|
Type B
|
Code |
Learning outcomes |
| CT3 |
Identify the situation as a problem in the field and be sufficiently motivated to face up to it.
Follow a systematic method to divide a problem into parts, identify the causes and apply the knowledge specific to the discipline.
Design a new solution by using all the resources necessary to cope with the problem.
Include the details of the proposed solution in a realistic model.
Reflect on the model proposed, find shortcomings and suggest improvements.
| | CT4 |
Identify the role they play in the group and understand the group’s objectives and tasks.
Communicate and act within the group in such a way that they facilitate cohesion and performance.
Commit to the group’s tasks and agenda.
Participate in the group in a good working environment and help to solve problems.
|
Type C
|
Code |
Learning outcomes |
Topic |
Sub-topic |
1. Introduction to Fiction
2. Realism
The Nineteenth-century American short story
3. Modernism
The Twentieth-Century English novel
4. Postmodernism
Contemporary American Fiction |
The narrator, Voice, Focalisation, Point of view, Time
Reflection of reality, omniscient narrator vs. point-of-view narration, criticism of social mores
Novelistic experimentation, subjectivity, representation of time, stream of consciousness
The formal stylistic repertoire such as self-reflexivity, new-ness, the metafictional impulse and being consciously experimental. |
Methodologies :: Tests |
|
Competences |
(*) Class hours
|
Hours outside the classroom
|
(**) Total hours |
Introductory activities |
|
2 |
0 |
2 |
Presentations / oral communications |
|
4 |
12 |
16 |
Lecture |
|
18 |
18 |
36 |
Seminars |
|
30 |
45 |
75 |
Personal attention |
|
2 |
3 |
5 |
|
Extended-answer tests |
|
4 |
12 |
16 |
|
(*) On e-learning, hours of virtual attendance of the teacher. (**) The information in the planning table is for guidance only and does not take into account the heterogeneity of the students. |
Methodologies
|
Description |
Introductory activities |
Introduction to narrative theory. Explanation of the course syllabus and students’ assessment. |
Presentations / oral communications |
Oral presentations will be conducted in groups and they must be approximately 10-15 minutes long. For the purposes of the presentation, you should conduct extensive library and internet research. A handout including important quotations, topics covered, and works consulted must be prepared and provided to each class member. You should also be prepared to answer questions at the end of your presentation. |
Lecture |
The lectures aim to provide you with the tools to evaluate narratives by describing their technical achievements. We will define major narrative features and elements of narrative theory, and identify and analyze examples of these features in narrative texts. We will also compare how different narrative platforms use point of view, duration and pace, characterization, and other narrative elements. |
Seminars |
Discussions of set texts or parts of them. Students will be asked to prepare material in advance of each weekly seminar. |
Personal attention |
Students may consult the teacher in person on through an online connection about any aspect of the course, at a time agreed by email or in person. |
Description |
Students will be provided with individual and/or group tutorials in order to resolve possible doubts, queries and other issues related to the subject. Tutorials can be face-to-face and/or virtual. Students are encouraged to visit their Lecturer whenever they have any queries concerning the course. |
Methodologies |
Competences
|
Description |
Weight |
|
|
|
|
Presentations / oral communications |
|
Oral presentations will be conducted in small groups. They must be approximately 10-15 minutes long. For the purposes of the presentation, you should conduct extensive library and internet research. A handout including important quotations, topics covered, and works consulted must be prepared and provided to each class member. You should also be prepared to answer questions at the end of your presentation. All your sources will have to be acknowledged orally and in the handout. |
20% |
Extended-answer tests |
|
The Mid-term exam will take place around the seventh week of the course and the final exam on our final class.
Each exam will have a 35% weighting and will last approximately two hours.
The Exam(s) will consist of two sections and each will include two questions of which students will need to choose and answer one in an essay form of at least 400 words. The first section will include thematic questions and the second part will include an extract from the primary texts which students will need to analyse in relation to one or two primary works. Students will not be allowed to write about the same text more than once. |
70% |
Others |
|
Participation (10%). You should come to class prepared to address the day's material. This means completing all the primary reading before class, bringing the reading to class, and being prepared to discuss the reading thoughtfully. During class discussion, I expect you to be attentive to what your classmates have to say and respectful of their ideas and opinions. |
|
|
Other comments and second exam session |
Students who do not attend classes regularly and consequently do not fulfil the requirements of the Continuous Assessment programme will have to take the final exam. The Final Exam will consist of two sections and each will include two questions of which students will need to choose and answer one in an essay form of at least 400 words. The first section will include thematic questions and the second part will include an extract from the primary texts which students will need to analyse in relation to one or two primary works. Students will not be allowed to write about the same text more than once. The mark achieved by the student in this final exam will amount to 100% of their overall course mark. Plagiarism: Any piece of work which contains an insert of a sentence or more from another person's work, or a piece of published work, that is not duly recognized by appropriate bibliographic referencing as coming from another source other than the student, will be considered to have plagiarized. The work in which this offence is committed will be evaluated with a '0'. A repetition of this offence will mean automatic failure of the Continuous Assessment, no matter what the student's score is in the Continuous Assessment at that moment. They will have to present themselves in the Final Exam. |
Basic |
|
All the primary texts will be available on Moodle. However, the students are expected to buy their own copies of the following books: (You are strongly advised to buy the specified edition) A Portrait of the Artist as a Young Man: James Joyce. Penguin (1996) Mrs. Dalloway: Virginia Woolf. Oxford University Press (2009) Women in Love: D.H. Lawrence. Penguin (2000) Falling Man. Don DeLillo. Picador (2007) A list of secondary readings will be included in the course Syllabus. The following are good introductory resources on the subject of narrative and narrative theory. They are available in the library for consultation: Atkins, G., Walsh, C., Watkins, S. (eds) (1995) Studying Literature. A Practical Introduction, Hemel Hempsted: Harvester Wheatsheaf Eagleton, T. Literary Theory. An Introduction. Minneapolis: University of Minnesota Press, 1996 82"19".09Eag Selden, Raman. Practising theory and reading literature : an introduction, New York [etc.]: Harvester Wheatsheaf, 1989. N1-7-15 |
Complementary |
|
|
|
Other comments |
Regular attendance in class is strongly recommended.
Familiarity with and understanding of the content of the lectures and how it applies to the texts studied will be tested in all the formative assessments.
|
(*)The teaching guide is the document in which the URV publishes the information about all its courses. It is a public document and cannot be modified. Only in exceptional cases can it be revised by the competent agent or duly revised so that it is in line with current legislation. |
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