IDENTIFYING DATA 2019_20
Subject (*) HISTORY OF THE CINEMA AND OTHER AUDIOVISUALS ARTS Code 12214108
Study programme
Bachelor's Degree in the History of Art (2008)
 Cycle 1st
Descriptors Credits Type Year Period
6 Compulsory Second
Language
Català
Prerequisites
Department History and History of Art
Coordinator
HOFMAN MATUSEVICH, VANINA YAEL
 E-mail vaninayael.hofman@urv.cat
Lecturers
HOFMAN MATUSEVICH, VANINA YAEL
Web
General description and relevant information Study the history of film, photography and television from birth to the present, with special emphasis on issues such as conservation and current and new lines of inquiry.
Because of the termination of the course you are studying, this subject is driven by tutorship. For more information, read the professor's meeting timetable.

Contents
Topic Sub-topic
1. History of the Photography
 1.1. The background. The dark Camera
1.2. The first photographers
1.3. The calotype wet collodion
1.4. Travel Photography and wars
1.5. The first amateurs
1.6. Photography as social document
1.7. Pictorialism and Photo-Secession
1.8. Pure photography
1.9. The image manipulation: the vantgaurds
1.10. The photography from 1945
2. History of the cinema
 2.1. Europe before the Great War
2.2. The development of American cinema
2.3. Soviet cinema
2.4. United States in the 30s and 40s
2.5. Interwar European cinema
2.6. The Italian neorealism
2.7. Hollywood in the 50s and 60s
2.8. The French New Wave
2.9. The European renewal
3. History of television and electronic image 3.1. Technical-cultural status of television
3.2. The television aesthetic identity
3.3. The television genres
3.4. Film and television
3.5. Cultural effects of television
3.6. The satellite and cable
3.7. the videography
3.8. The infographic image
3.9. The immersive virtual reality
3.10. The contemporary iconosphere
4. SEMINARS SEMINARS
4.1. Photography and film as art
4.2. Cinematographic analysis
4.3. Search the movement
4.4. Cinematographic language
4.5. Photo preservation
4.6. Conservation Film
4.7. Integrity of the cinematographic
4.8. Image manipulation
4.9. Foreign film and art
4.10. Film and dictatorships
4.11. Film genres: Fantasy
4.12. The documentary
4.13. Video Art
4.14. News of film and photography
5. Els altres mitjans audiovisuals
5.1. Estatut tècnic-cultural de la televisió
5.2. La identitat estètica de la televisió
5.3. Els gèneres televisius
5.4. Cinema i televisió
5.5. Efectes socioculturals de la televisió
5.6. La televisió per satèl·lit i per cable
5.7. La videografia
5.8 El videoart, les videoinstalaciones, el vídeo interactiu
5.9. La realitat virtual immersiva
5.10. Storytelling digital

Personalized attention
Description
The teacher resolved tutorial hours in the office all questions about the program, seminars, given the texts and will monitor the work done, and all inquiries sent by e-mail.

Assessment
 
Other comments and second exam session

The second call is made in the same way as the first: an objective test with multiple choice questions on the agenda and seminars (70%) more field work (30%).

Sources of information
Basic

BAZIN, André: ¿Qué es el cine?, Rialp, Madrid, 1990.

BENET Vicente J.: La cultura del cine. Introducción a la historia y la estética del cine, Paidós, Barcelona, 2004.

BORDWELL, David (y otros): El cine clásico de Hollywood, Paidós, Barcelona, 1977.

CASETTI, Francesco y di CHIO Federico: Cómo analizar un film, Paidós, Barcelona, 1991.

CASETTI, Francesco: Teorías del cine, Cátedra, Madrid, 1994.

ERNST, W. (2005). Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines. Art History, 28(5), pp. 582–603

HUHTAMO, Erkki: Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles. MIT Press, Cambridge Mass.; London, UK , 2013.

MANOVICH, Lev: The Language of New Media. MIT Press, Cambridge, MA,, 2001.

SÁNCHEZ NORIEGA, J. Luis: Historia del cine, Alianza, Madrid, 2002.

SÁNCHEZ-BIOSCA, Vicente: Cine y vanguardias artísticas, Paidós, Barcelona, 2004.
Complementary

(*)The teaching guide is the document in which the URV publishes the information about all its courses. It is a public document and cannot be modified. Only in exceptional cases can it be revised by the competent agent or duly revised so that it is in line with current legislation.