IDENTIFYING DATA 2009_10
Subject (*) CRITICAL THOUGHT IN 21ST CENTURY AUTHORS Code 12605108
Study programme
Estudis Culturals en Llengua Anglesa, Textos i Contextos (2009)
Cycle 2nd
Descriptors Credits Type Year Period
6 Compulsory First Only annual
Language
Anglès
Department Filologia Anglogermànica
Coordinator
COLLELLMIR MORALES, DOLORES
E-mail dolors.collellmir@urv.cat
Lecturers
COLLELLMIR MORALES, DOLORES
Web
General description and relevant information

Competences
Type A Code Competences Specific
  Research
  AR3 Articular un discurs acadèmic coherent basat en l’anàlisi científic de les dades obtingudes
  AR7 Desenvolupar habilitades investigadores que permeten l’autonomia a l’aprenentatge
  AR9 Valorar les sinèrgies que genera la multiculturalitat a les societats de parla anglesa
Type B Code Competences Transversal
  Research
  BR3 Aplicar pensament crític, lògic i creatiu, a la vanguàrdia del camp d’estudi
  BR4 Ability to work autonomously and responsibly, and to show initiative
  BR6 Comunicar informació, idees, problemes i solucions de manera clara i efectiva en públic o àmbit tècnic concret
Type C Code Competences Nuclear
  Research
  CR2 Management of information and knowledge.

Learning aims
Objectives Competences
The aim of this course is to study authors who can be considered writers of the world and who from an ethical and intellectual position use their creative capacity to call attention to the great problems and evils of the world of today. AR3
AR7
AR9
BR3
BR4
BR6
CR2

Contents
Topic Sub-topic
II. Present situation of the South-African novel written in English 1. J.M. Coetzee and his criticism of the post-apartheid in South-Africa: analysis of the novel Disgrace.

2. J.M. Coetzee's vision of the twenty-first century world: analysis of the novel Diary of a Bad Year.
III. Present situation of the Indian novel written in English. 1. The theatre of the South of India: revision of the Hindu tradition in the works of Girish Karnad.

2. The cultural and historical heritage as a source of inspiration for the Indian authors: the critical position of Kiran Desai in The Inheritance of Loss.
III. Present situation of the Indian novel written in English. 3.1. The theatre of the South of India: revision of the Hindu tradition in the works of Girish Karnad.

3.2. The cultural and historical heritage as a source of inspiration for the Indian authors: the critical position of Kiran Desai in The Inheritance of Loss.
IV. The present moment in Native Canadian and Australian literatures written in English. 1. The native Canadian thought in relation to ecological themes: analysis of Jeanette Armstrong's Wispering in Shadows.

2. The claim for a cultural identity of the Australian Aborigines: analysis of the novel Benang.
V. An ethical attitude to face the challenges of post-colonial Nigerian. 1. Tension between the traditional and the Western traditions in the post-colonial Nigeria: analysis of Chris Abani's novel Graceland.
Nigeria as an example of a fragmented society: analysis of Chris Abani's novel Song for Night.
VI. Conclusions 1. The technical and esthetic efectiveness of the authors J.M. Coetzee, Girish Karnad, Kiran Desai, Jeanette Armstrong, Kim Scott, and Chris Abani.

Planning
Methodologies  ::  Tests
  Competences (*) Class hours Hours outside the classroom (**) Total hours
Introductory activities
4 0 4
 
Presentations / expositions
3 12 15
Assignments
0 30 30
Lecture
17 34 51
Seminars
15 30 45
 
Personal tuition
5 0 5
 
 
(*) On e-learning, hours of virtual attendance of the teacher.
(**) The information in the planning table is for guidance only and does not take into account the heterogeneity of the students.

Methodologies
Methodologies
  Description
Introductory activities An overview of the subject will be given.
Presentations / expositions Students are required to give an oral presentation on one aspect of one of the novels studied in this course.
Assignments Students will be required to write short essays on the novels analysed in class.
Lecture Each lecture will be followed by a question an answer period.
Seminars Within the frame of the course, students will prepare cultural and literary topics for discussion.

Personalized attention
 
Personal tuition
Description
Students will receive personal orientation to prepare oral presentations.

Assessment
  Description Weight
Presentations / expositions Assesment will be based on the content, structure, and delivery.
Content 50%
Structure 20%
Delivery 30%
This part will represent 40% of the final mark.
Assignments Assessment will be based on the interest, originality, clarity, and conclusions of the written work. Interest 40%
Originality 20%
Clarity 20%
Conclusions 20%
This part will represent 40% of the final mark.
Seminars Students are expected to participate actively in the seminar-type sessions This part will represent 20% of the final mark.
 
Other comments and second exam session

Sources of information

Basic Chris Abani, Graceland, , Straus and Giroux, 2004
Jeanette Armstrong, Whispering in Shadows, , Pentincton: Theytus Books, 2004.
J.M. Coetzee, Disgrace, , Vintage, 2000
Kiran Desai, The Inheritance of Loss, , Atlantic Monthly Press, 2005
Girish Karnad, Collected Plays, Vol I, , OUP
Kim Scott, Benang, , Fremantle Arts Centre Press, 1999

CANADA

Moses, Daniel David and Terry Goldie. An Anthology of Canadian Native Literature in

English. OUP, 1998.

Hoy, Helen. How Should I Read These? Native Women Writers in Canada.  University

of Toronto Press, 2001.

Petrone, Penny. Native Literatures in Canada. From Oral Tradition to the Present.

Toronto: OUP, 1990.

 

 

AUSTRALIA

Required reading

 

Brewster, Anne. Reading Aboriginal Women’s Autobiography. Sydney UP, 1996.

Davis, Jack & Bob Hodge, eds. Aboriginal Writing Today. Canberra: Australian

Institute of Aboriginal Studies, 1985.

Hodge, Bob and Vijay Mishra. Dark Side of the Dream. Australian Literature and the

Postcolonial Mind. Sydney: Allen & Unwin, 1990.

 

 

SOUTH AFRICA

 

Canepari –Labib, Michela. Old Myths-Modern Empires. Power, Language and Identity in J.M. Coetzee’s Work. Oxford, Peter Lang, 2005.

 

Poyner, Jane, ed. J.M. Coetzee and the Idea of the Public Intellectual. Athens, Ohio University Press, 2006.

 

Galván, Fernando ed. J.M. Coetzee. La Página 71/72 Año XX núms 1-2, 2008.

Complementary

CANADA

Moses, Daniel David and Terry Goldie. An Anthology of Canadian Native Literature in

English. OUP, 1998.

Hoy, Helen. How Should I Read These? Native Women Writers in Canada.  University

of Toronto Press, 2001.

AUSTRALIA

Brewster, Anne. Reading Aboriginal Women’s Autobiography. Sydney UP, 1996.

Davis, Jack & Bob Hodge, eds. Aboriginal Writing Today. Canberra: Australian

Institute of Aboriginal Studies, 1985.

Hodge, Bob and Vijay Mishra. Dark Side of the Dream. Australian Literature and the

Postcolonial Mind. Sydney: Allen & Unwin, 1990.

Petrone, Penny. Native Literatures in Canada. From Oral Tradition to the Present.

Toronto: OUP, 1990.

SOUTH AFRICA

 Canepari –Labib, Michela. Old Myths-Modern Empires. Power, Language and Identity in J.M. Coetzee’s Work. Oxford, Peter Lang, 2005.

Poyner, Jane, ed. J.M. Coetzee and the Idea of the Public Intellectual. Athens, Ohio University Press, 2006.

 Galván, Fernando ed. J.M. Coetzee. La Página 71/72 Año XX núms 1-2, 2008.

Recommendations


 
Other comments
Students are suppose to get from the library/buy the novels which appear in the section "Basic sources of information". At the beginning of the course students will have a dossier available at the photocopy place. The information in DOCnet is for guidance. Changes can be introduced depending on the number and the hetereogeneity of the students.
(*)The teaching guide is the document in which the URV publishes the information about all its courses. It is a public document and cannot be modified. Only in exceptional cases can it be revised by the competent agent or duly revised so that it is in line with current legislation.